Do The Right Thing :: essays research papers

The first background begins with a closing curtain up shot of Senor ac pick outledge Daddys mouth, the top of a microphone, and an warning device clock. The alarm clock, being used as a prop, is making a precise loud, annoying, ringing sound. This is done in order to get the spectator pumps care to the problem of racism. After the ringing stops, we start reframing in, and zooming out wispyly, forecasting much of Senor Love Daddy and the microphone. There is hard lighting present in the scene. The entire shot has a reddish color to it. A slow zoom and the reddish color are used to show the viewer how hot the setting of the movie is. The color excessively reflects tension, conflict, anger,and frustration, things that are not being expressed in the film yet. As we are zooming out, Senor Love Daddy says "Wake up, wake up, wake up" This part of the scene is also is intended to get the viewers attention to the problem of racism. The suck up and some of the middle ground are in shallow focus. This is a get in your face type of shot, letting the viewer know that this movie will be in your face for the next ii hours and that the viewer better pay attention to the problem at drop dead racism. This shot is solely for the viewers, to get their attention. We stop zooming out formerly we see the whole microphone. At that point, we start tracking out and the camera starts pitiful slowly up, via a crane. We now see the reflection of the street distant Senor Love Daddys workplace, on the glass window Senor Love Daddy is facing. We also see hats of many different cultures sitting Senor Love Daddys desk. This shows that he prize many different cultures and shows he is a very open person. alike Senor Love Daddys workplace is street level. He talks to all the characters in the movie like Mookie, Radio Raheem, and the people playing outside with the burning hydrant. This shows he is willing to communicate with the neighborhood and also show once again that he is a very open person. He is eternally looking outside the window at the community. Senor Love Daddy is not hiding from anybody. He is the voice of the neighborhood. The camera continues moving up on a crane until it is at an high angle, and we start panning to the left.